Smith was electrifying. The actress has been focusing on her family, her humanitarian work, and her personal growth. This shift in focus has led to a more introspective and nuanced approach to her acting, which is evident in her recent work. The film “Maria,” which is a biopic about the legendary singer Maria Callas, is a testament to this evolution. It’s not just a performance; it’s a deep dive into the life and soul of a woman who was both a musical genius and a tragic figure.

The film’s director, Pablo Larraín, is known for his visually striking and emotionally resonant films, such as “Jackie” and “Spencer.” Larraín’s style is characterized by a blend of realism and surrealism, often employing unconventional camera angles and editing techniques. This approach creates a sense of unease and ambiguity, inviting the viewer to interpret the events unfolding on screen. “Maria” is a biopic, but it’s not a traditional one.

The film’s central character, Maria, is a woman who has spent her life trying to please others. She is a talented artist, but her work is often overshadowed by the expectations of her family and society. This is a common theme in Larraín’s work, exploring the tension between personal expression and societal expectations. The film’s title, “Maria,” is a direct reference to the subject of the film, and the film’s central character.

This is a portrait of a woman on the edge, a woman who is both a victim and a perpetrator of her own chaos. She’s not simply a mess, she’s a force of nature, a whirlwind of contradictions. She’s a woman who is both vulnerable and strong, a woman who is both lost and found.