Pre-Production

The Williams Lake Studio Theatre Society is a community-based theatre group that has been entertaining audiences for over 30 years. With a focus on producing high-quality productions, the society has built a reputation for excellence in the region. Their upcoming production of The Great Gatsby is no exception, with a talented cast and crew working tirelessly to bring F. Scott Fitzgerald’s classic novel to life. The play’s director, [Director’s Name], has been working closely with the cast to ensure that the characters’ motivations and backstories are well-developed and authentic. The costume designer, [Costume Designer’s Name], has created an impressive array of period-specific costumes that will transport the audience to the roaring twenties. The makeup artist, [Makeup Artist’s Name], has crafted intricate designs that will add to the play’s visual appeal and help to bring the characters to life.

Rehearsals

The cast and crew have been rehearsing for several weeks, fine-tuning the play’s flow and perfecting their performances. The rehearsals have been intense, with the actors working closely together to ensure that the dialogue is natural and the pacing is well-balanced. The actors have been rehearsing scenes in front of a mirror, working on their facial expressions and body language to ensure that they are believable on stage. The stage manager has been coordinating the rehearsals, ensuring that the set and lighting are in place and that the actors are aware of their cues.

She has been working in the theatre for over 20 years, and has worked on numerous productions, including “The Lion King” and “Wicked”. She has also worked on several film and television productions, including “The Hunger Games” and “Game of Thrones”.

A Day in the Life of a Costume Supervisor

As a costume supervisor, Christa Obergfell’s day is filled with creativity, precision, and attention to detail. From selecting fabrics to creating intricate designs, her work is a testament to her passion for the fibre arts.

Pre-Production

Before the curtain rises, Christa spends hours poring over scripts, researching historical accuracy, and sketching out designs. She works closely with the director, designers, and other crew members to ensure that every aspect of the production is cohesive and visually stunning. Key tasks during pre-production include: + Researching historical accuracy and cultural influences + Sketching out designs and creating prototypes + Collaborating with the director and designers to ensure a unified vision + Selecting fabrics and materials that meet the production’s needs

Creating the Costumes

Once pre-production is complete, Christa and her team begin creating the costumes. This involves a range of tasks, from cutting and sewing to embellishing and finishing. Key techniques used in costume creation include: + Hand-sewing and embroidery + Knitting and crocheting + Fabric manipulation and draping + Beading and sequining

Rehearsals and Dress Rehearsals

As the production nears, Christa and her team work tirelessly to ensure that every costume is perfect.

Obergfell has said that she was inspired by the Roaring Twenties and the opulence of the 1920s. She spent hours scouring thrift stores, estate sales, and flea markets for vintage items that could be used to create the costumes.

The Art of Costuming for Gatsby

Research and Inspiration

Obergfell’s journey into the world of Gatsby’s costuming began last summer, a period she describes as her “hunting and gathering” phase. During this time, she immersed herself in the Roaring Twenties, studying the opulence and extravagance of the era. Her inspiration came from various sources, including:

By scouring these sources, Obergfell was able to gather a vast array of materials and patterns that would eventually become the foundation of her costumes.

The Importance of Authenticity

Authenticity is crucial in creating costumes that transport viewers to the world of Gatsby. Obergfell’s attention to detail and commitment to accuracy are evident in her work. She spent countless hours researching and studying the fashion of the 1920s, ensuring that every aspect of the costumes, from the fabrics to the accessories, was true to the era. Fabric selection: Obergfell chose fabrics that were popular during the 1920s, such as silk, velvet, and lace. She also experimented with different textures and weights to create a sense of depth and dimension.